Julia Reidy (b. 1993) is a musician from Australia. Her practice encompasses performance, composition, arrangement and production. Her approaches to acoustic and electric guitar, ensemble music and electro-acoustic works are characterized by the navigation of thematic material derived from unstable harmonic and rhythmic territories.
Reidy has collaborated with notable musicians such as Jon Rose, Anthony Pateras, Suze Whaites, Clayton Thomas, George Lewis, Phil Minton, Judy Bailey, Bob Ostertag, Tony Buck (The Necks) and Liz Kosack. She has produced works for notable groups such as Ensemble Offspring, the Berlin Splitter Orchestra, Small Room (DE), the Living Room Theatre, as well as many ongoing active projects in Australia and Europe. Julia has performed widely across Europe and Australia, including appearances at Angelica Festival (Italy), Ulrichsberg Jazz Festival (Austria), Berlin Jazz Festival (Germany), and Huddersfield Contemporary Music Festival (UK).
Judith Hamann is a cellist from Melbourne, Australia. Her performance practice stretches across various genres encompassing elements of improvised, art, experimental, and popular music. Currently her work is focused on expressions of immersion and saturation: explored through durational, spatialised and electroacoustic approaches to sound, as well as an examination of psycho-physical materials and manifestation of 'shaking'.
Judith has studied contemporary repertoire with cellists including Charles Curtis and Séverine Ballon, as well as developing a strong practice in improvisation and sonic arts through collaborative projects both in Australia and internationally. She has worked with artists and ensembles including Oren Ambarchi, ELISION ensemble, Dennis Cooper, Maya Dunietz, Jürg Frey, Graham Lambkin, Alvin Lucier, Sejiro Murayama, Toshimaru Nakamura, The Necks, NYID, Michael Pisaro, Ilan Volkov, Tashi Wada, and La Monte Young. Judith is a member of Golden Fur, Hammers Lake, SYSTEM (with Anthea Caddy), The Argonaut String Quartet, and a duo project with Rosalind Hall.
She has performed widely with festivals including Tectonics (Glasgow, Adelaide, Tel Aviv, Athens), UnSound (NYC), Musikprotocol (Graz), The Now Now (Sydney), BIFEM (Bendigo), Dark Mona (Hobart), Tokyo Experimental Festival, SiDance Festival (Seoul), and Liquid Architecture (AU). Other performance highlights include improvised or repertoire presentations at Cafe Oto (London), Issue Project Room (NYC), Dia Art Foundation (NYC), Steim Institute (Amsterdam), Logos Foundation (Ghent), LaSalle University (Singapore), SuperDeluxe (Tokyo), O’ Gallery (Milan) and Tempo Reale (Florence).
She is a champion of new and rarely performed music, immersive approaches to sound, and engages with a range of interdisciplinary and experimental projects including collaborative work with visual artists Keith Deverell and Sabina Marselli. She has been an artist in residence at Tokyo Wondersite Aoyama, The Recollets (Paris), Q-02 (Brussels), Cité Internationale des Arts (Paris), and Syros Sound Residency (Syros).
Judith will be joined by percussionist and performance artist Ben Bennett (Philadelphia).
Layne Garrett is an improvising musician and instrument builder based in Washington DC. He works with prepared guitars, found objects, and self-built instruments. He plays in the improvising duo Weed Tree with drummer Amanda Huron, as well as in regular and irregular collaborations with a spectrum of players from across the DC and Baltimore sound universe. He is an active promoter of the musical culture, hosting house shows for the past decade+ and more recently as a founding member and curator for Rhizome DC. He leads instrument building and sound exploration workshops and camps for kids at various educational institutions around town. He has traveled to play at events like High Zero in Baltimore, XFest in Massachusetts, Voice of the Valley Noise Rally in West Virginia, H-O-T Series of Improvised Music and Dance in Philadelphia, and Frantasia Festival of Out Music and Arts in Maine. Other activities have included facilitating a large-scale tape-loop intervention in Rock Creek Park, constructing participatory installations for the Sonic Circuits Festival of Experimental Music and for the DC Listening Lounge's annual Sound Scene event (including the past 2 years at the Hirshhorn Museum), and building a playable gong-map of the USA out of found car metal. In reference to a particular large freestanding sound structure he built, a collaborator commented: "man i would really love to play that big baby for 12 hours straight it is obviously a meditation key."