On view August 8 - September 9 * open during all events, or email info@rhizomedc.org to make an appointment * closing reception Sept. 8
The 270 Million Project is a commitment to create 270 ink paintings resembling Rorschach tests, listening to only Lao music. These pieces explore my relationship to being a Lao American: the longing to understand my roots and the conflict of being American and Lao. Each painting represents 1 million American cluster bombs dropped onto Laos during the Vietnam War. $100 of the first 135 painting sales will go to Legacies of Wars, a non-profit working on advocacy, education and funding the removal of unexploded bombs currently still in the country . The next $100 from each of the remaining 135 painting sales will go to COPE, a facility which aids in physical therapy for the thousands of people affected by the bombs after the war. The grid display echos the idea of maps used to clear out the cluster bombs. With each sale there will be missing parts to the grid. Each missing spot represents the impact a community can have on empathsizing and solving a problem if they come together. This work speaks to intergenerational trauma, the immigrant/refugee family experience, war, identity and resilience.
The 270 Million Project installation view
Kim’s animation “False American Dream” will also be on view. This piece explores ideas of addiction, chance, immigration and the American dream. Immigrants often leave their countries in pursuit of the American dream--to build a better life, to find financial stability, to give more to their families & etc. The journey takes sacrifices, hope and patience but even all this effort can often still lead to a game of chance on if financial stability can be achieved.
still from False American Dream
Kim Sandara is a queer, Laotian/Vietnamese, artist from Northern Virginia and now based in Brooklyn, NY. In 2016, she graduated from the Maryland Institute College of Art, with a BFA in General Fine Arts. She’s shown work at various DC community events. in 2019, the National Museum of Women in the Arts' gift shop collaborated with her to create an event "Being" showcasing her work and guiding visitors to draw music. She has been featured in Visart's Gen 5 exhibition, the Torpedo Factory's 2019 Emerging Artists exhibition and the Washington Project for the Arts’ 2019 Auction Gala. In her Torpedo Factory summer 2019 Post-Grad Residency, she created a stop motion animation about her parent's immigration story intersecting her coming out story. She used the studio space as a shop to fund raise for local and national LGBTQ+ non profits empowering queer youth. In her 2020 Bresler Residency at VisArts, she focused more on Lao identity work. She's currently working on her graphic novel "Origins of Kin and Kang" about her coming out story and collaborating with Legacies of War to help fund removing the bombs left over from the Secret and Vietnam Wars from Laos.